Wednesday, March 4, 2009

Morning Train (Nine To Five) by Sheena Easton



Oh my god. This video is so silly. Watch for the phallic imagery! Sheena Easton's early '80s international hit is an ode to some serious co-dependence:

All day I think of him
Dreamin' of him constantly
I'm crazy mad for him
And he's crazy mad for me


The chorus is truly catchy, but it's not a catchy I want hanging around too much.

Year: 1980
Rating: Lukewarm

Noteworthy: The song was originally titled simply "9 to 5," but the decision was made to change it, lest it get confused with (the far superior) 9 to 5 by Dolly Parton, released with the film the same year.

1 comment:

  1. Never thought of this song that way before, but now that you've pointed it out, it's creepy. Reminds me, in terms of lyrical concerns, of an equally disturbing (or is it romantic?), if more poetic, song by Françoise Hardy.

    le premier bonheur du jour
    c'est un ruban de soleil
    qui s'enroule sur ta main
    et caresse mon epaule

    c'est le souffle de la mer
    et la plage qui attend
    c'est l'oiseau qui a chanté
    sur la branche du figuier

    le premier chagrin du jour
    c'est la porte qui se ferme
    la voiture qui s'en va
    le silence qui s'installe

    mais bien vite tu reviens
    et ma vie reprend son cours
    le dernier bonheur du jour
    c'est la lampe qui s'éteint

    ___

    the first joy of day
    it is a ribbon of sunlight
    which winds around your hand
    and caresses my shoulder

    it is the rustle of the tide
    and the beach alongside it
    it is the bird which sang
    on the branch of the fig tree

    the first grief of day
    is the door which shuts
    the car which departs
    the silence that sets in

    but quickly you return
    and my life finds its way once more
    the last joy of day
    is the lamp which dims

    Something about the line "et ma vie reprend son cours" always bothers me, and is what pushes the song from being simply romantic to being co-dependent. I think there is also something in both songs that is just inescapably gendered (the man goes to work while the lady stays home pining) that makes it hard to just think of as a sweet sentiment.

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