Mystery Solved...and Stashed

That tune. That tune! That tune has been knocking around in my head for so many years. I blogged about it back in 2011. I thought it was from a really old movie, or a novelty riff from Camper Van Beethoven, or something vaguely Eastern European. People close to me have heard me whistle it spontaneously now and again for the better part of two decades, and any time I've inquired with anyone about that sequence of notes, I've gotten nothing but shrugs and blank stares.

I once thought I was hot on the trail, when I came across
this 1932 composition by Jerzy Petersburski. There are some segments in this Polish tango reminiscent of the tune, but I knew when I found it, I was still shooting in the dark. Bonus: a fragment of this tango also reminds me of the “When the dog bites, when the bee stings” portion of My Favorite Things from the Sound of Music.

So, after years of this nagging sensation as to the origins of this melody, last weekend, it happened. I ended up in a somewhat random conversation about the band Phish with my niece, niece-in-law, and my two nephews. My nephew Jon,* was recommending a podcast called Analyze Phish. In it, comedian Harris Wittels, Phish Phan, tries to convince comedian Scott Aukerman, Phish naysayer, why he should love Phish. In a parallel, I went through a Phish phase (college in Santa Cruz in the '90s, natch), while Jon is the non-fan.

So I decided to jump on Spotify and put together some Phish songs that I thought might appeal to Jon, just for the hell of it. I played snippets of songs from albums I used to own, to refamiliarize myself with the music. While scrolling through the tracks on the 1992 album A Picture of Nectar, I made a totally unexpected discovery at two minutes and two seconds into the song "Stash:"


And the motif repeats itself at the end of the song, at minute 6:49, accompanying the lyrics "Maybe so, and maybe not."

Oh my fucking god!! The thrill of finding the source of this tune was visceral. It was like unwrapping my new Darth Vader Collector’s Case on Chanukah, 1982.** Or the satisfaction of writing one’s thousandth tweet. It was gleeful! I still can’t explain the very definite six-note intro to the song snippet that I always whistle, which is clearly not anywhere to be found in the Phish song. I don't know if I composed it unconsciously, or if it's an amalgam of some other melody. It’s no matter. I can rest on this one.

Artist: Phish
Year: 1992
Rating: Luke Hot

* Jon guest blogged for us at The Songs in My Head a few years ago. You can read those posts right here.
** I just learned that Google only returns 1.5 million results for “Chanukah,” my preferred transliteration for the Jewish Festival of Lights, and returns 15.7 million for “Hanukkah.” Am I spelling it wrong? Maybe so, and maybe not.

Billy Boy

I haven't been focused on the song blog in quite some time, but this tune arrived so out of the blue, I had to post it. I'm sure I haven't heard any version of it in more than 30 years. The internets date its origins in the 18th Century, but it looks like the most popular versions weren't published in England til about WWI era and not in the States til 1930.

Thanks to YouTube user LDsongscreen for posting this sweet rendition of the song.

Artist: Unknown
Year: c. 1790s; 1910s; 1930s
Rating: Warm

In The Mood

This is one of those songs so ubiquitous in the popular culture, it feels like it's been in my head my whole life. This afternoon, I found myself spontaneously "meowing" aloud to the melody.

Artist: The Glenn Miller Orchestra
Year: 1939
Rating: Warm

The Cattle Call

My mom's second husband, Don, loved Eddy Arnold. When I was seven, eight years old, we listened to his albums over and over on the "hi-fi" (as Don called it) in the living room. The yodeling in this song lingers in my consciousness more than thirty years later. If you've never heard it before, you're more likely to wring your hands at me now than thank me. But I have a soft spot for it. No right idea why it came to mind this morning.

Artist: Eddy Arnold
Year: 1944, re-recorded in 1955; written by Tex Owens in 1934.
Rating: Warm

Note: Check out a recording by Tex Owens himself!

Lullaby of Broadway

This song is so deeply embedded in the popular culture, and yet, I have no clear mental reproduction of the precise recording I'm summoning. The first appearance of the song was in the film Gold Diggers of 1935, a movie I've never seen. It's quite possible that the version I heard the most while growing up was by the Andrews Sisters, but I'm guessing I just know it from various homages in movies and TV.

Artist: Wini Shaw
Year: 1935
Rating: Warm

I Get A Kick Out of You

It's strange to wake up with a song about the zing! and thrill! of love, and have no particular person come to mind. It's a blank, neutral feeling. Which is oddly refreshing.

Artist: Frank Sinatra (written by Cole Porter).
Year: 1934 (original); first recorded by Sinatra in 1953.
Rating: Warm

August Wrap-Up

I've had a lot of songs in my head over the last few weeks, but haven't had time or sufficient mental focus to post them. A quick inventory of the backlog for August follows, with notes where I'm moved to write them:

Stacy's Mom by Fountains of Wayne arrived on my brain after hearing a review of the band's new album on NPR's Fresh Air. Aside from the inanity of this 2003 radio hit (a band's gotta have one to make the collective radar) I kind of dig them, and it occurs to me that this band is totally the American version of Sloan (not that that would mean anything to more than, like, two people reading this blog). Sadly, Sloan has no analogous annoying radio hit of their own (in the States).

David Duchovny by Bree Sharp (A rerun, last blogged on 8/31/09).

Smoke Gets in Your Eyes, popularized by the Platters, came to me in a most ethereal way, a familiar tune I couldn't identify until looking up the fragments of lyrics I woke with one day. It seemed significant to me when I learned that the song originally appeared in an operetta called Roberta, which was my mom's name. When a lovely flame dies/Smoke gets in your eyes. The synchronistic throat lump supplied by the song's lyric shouldn't be lost on anyone reading who knows me. My mom died last year of complications of lung cancer. Smoke, indeed, gets in my eyes.

Stop Draggin' My Heart Around by Stevie Nicks and Tom Petty. Pretty typical sooze-fare, nothing noteworthy about this one.

Give Me Back My Man by the B-52s. I'm relating to Kate Pierson's plaintive wail, I'll give you fish/I'll give you candy/I'll give you everything I have in my hand!



And then there was a song snippet that entered my consciousness somewhere between dream state and waking that was a bit peculiar. At first, I thought it was the theme from the film Ordinary People, but when I looked for the music for the film on YouTube and heard Pachelbel's Canon in D major I had to probe a different area of my memory banks. Then it just hit me: this is the theme from The Incredible Hulk TV show, which I'm sure I hadn't seen in more than 25 years. The memory is indeed mysterious, and I wonder how I was able to make the leap between a classical composition from the 17th Century and a spare piano riff from 70's TV. The song may bear some similarity to the melancholy musical themes in Buffy the Vampire Slayer, which I'm currently re-watching.

Song: Stacy's Mom
Artist: Fountains of Wayne
Year: 2003
Rating: Lukewarm

Song: David Duchovny
Artist: Bree Sharp
Year: 1999
Rating: Luke Hot

Song: Smoke Gets in Your Eyes
Artist: The Platters
Year: 1958 (originally recorded by Gertrude Niesen for the Operetta Roberta in 1933)
Rating: Warm

Song: Stop Draggin' My Heart Around
Artist: Stevie Nicks and Tom Petty
Year: 1981
Rating: Luke Hot

Song: Give Me Back My Man
Artist: The B-52s
Year: 1980
Rating: Hot!

Song: The Lonely Man Theme (from The Incredible Hulk television series)
Artist: Joe Harnell
Year: 1977
Rating: n/a

Tumbalalaika

An old Russian-Yiddish folk tune that only came into my life a few months ago. My sister Jodi requested it for our family songbook at the annual retreat in Monterey this year. I didn't get to adding it this time, but this mournful/hopeful love song still resonates. See a translation here.

Artist: The Barry Sisters
Year: Unknown, c. 1920s-1930s; Barry Sisters version, c. 1940s.
Rating: Warm

Three Stooges Theme

...'specially that very last part, "do do dee doo dee doo!"

Based on the traditional folk song Listen to the Mockingbird from 1855.

Era: 1930s Stooges movies

The Daring Young Man on the Flying Trapeze

This is exactly the sort of song lodged in the collective consciousness that makes writing this blog worthwhile! Why I woke up with it, I've no right idea. A look at the lyrics reveals a serious genderqueer narrative in the song that I'd never noticed before: not only is the girl described as "handsome" by the narrator (I know, not an uncommon description for a woman in those days) but at length, the daring young trapeze artist has purloined the singer's love away, trained her for the trapeze, made her "assume a masculine name" and by the last verse, she's wooing the girls in the audience who take her for the daring young man. Handsome, indeed!



It's possible (though I can't say for certain) that my first encounter with "The Man on the Flying Trapeze" was in the Popeye short from 1934, which of course I didn't see til I was a kid in the '70s, some 40-odd years later, and more than a century after the song was first published in 1867. If, in fact, my neuronal association with this song connects to Popeye, then perhaps this earworm manifested itself due to some references my pal Scott and I made several days ago to Popeye, the Robert Altman movie. Songs from said movie are also still stuck in my head from its debut thirty (gulp!) years ago. Music and memory: kind of awesome.

Artist (original): Gaston Lyle, Alfred Lee, George Leybourne
Year: 1867
Popularized: 1930s, various artists
Performed above by Henry Hall and His Orchestra, Len Berman on vocals, c. 1930s
Rating: Warm

The Villain's Theme

Well, the mystery has been solved, as least, it seems so. Once again, my friend Buffy has saved the day. You may remember her sleuthing skills from the mystery of the Infernal Gallup. Now, she's helped us figure out what the hell that spooky, sneaky cartoon music is. A ringtone of the song is listed as "Cartoon Creeping Music" at AudioSparx. The real title turns out to be an appropriately-named composition called The Villain's Theme, and Amazon.Com credits it to Al Weber (and his Repetitious 88 Keys). However, the packaging on the "Memories" collection "Silent Film Music" available at Amazon credits him as Al Webber (with two b's).

Thing is, I don't think that Mr. Web(b)er is the originator of the piece, since this album, released in 1995, features music from other composers, all credited to Al (I don't think he can take credit for the William Tell Overture, for example). I think Webber and his Repetitious Keys performed all the tunes in this collection, but the piece was penned by somebody else. We also don't know how old it is yet. It could have been published anywhere from the late 19th Century to the early 1930s if it did feature in silent films.

The internets don't seem to have anything on this Al Webber guy, nor his 88 Repetitious Keys. Searches yield results for "A.L. Webber," but I don't imagine that the high-profile Andrew Lloyd Webber had to do compilation CDs for extra cash in the '90s. If anyone has any feedback or more information on this composition, please leave a comment!

Artist: Al Webber (and his 88 Repetitious Keys); composer unknown
Year: c. 19th Century to 1930s
Rating: Warm

Thanks, Buffy, for your ever present diligence, curiosity, and mad research skills!

Pomp and Circumstance/The Riddle Song

So, I got the graduation march, Pomp and Circumstance, in my head, specifically as heard in a movie which I thought was Animal House. I've searched for a graduation scene online, but I can't find it, and the song isn't listed as in use in the movie at imdb. Anyway, here's some amazing footage from 1931 of the original composer conducting the song at the opening of the Abbey Road studios in London.



Artist: Sir Edward Elgar
Year: c. 1905
Rating: I'll pass

The thought that the march appeared in Animal House inspired another song from the movie to get stuck, an old folk tune that I thought was called "I Gave My Love a Cherry" (actually called The Riddle Song) which was performed in the film by my mental soundtrack staple, 70s singer/songwriter Stephen Bishop. View cliphere

This then lead me to get another filmed version of the song in my head, from one of my most beloved movies, Little Darlings. Armand Assante, as Coach Callahan, sings it 'round the campfire.



(The song is at minute 9:10, the very end of the clip, just after one of Angel and Randy's failed attempts at teen coitus!)

Artist (original): Unknown, English traditional
Artist (covers): Stephen Bishop and Armand Assante
Year (original): c. 15th Century
Year (covers): 1978, 1980
Rating: Lukewarm